Mouthpieces

The black acrylic material produces the darkest and most German sound of ESM's materials. This is the way to go if you are looking to warm up your sound.

The Tenor Jazz has a chamber specifically designed for Jazz. It has a baffle.

The blue Heaven material is a specialized acrylic compound with metal particles embedded in the material. In combination with the metal ring, the Heaven material provides very easy response, more control, and a slightly brighter sound.

The Tenor Jazz has a chamber specifically designed for Jazz. It has a baffle.

The black acrylic material produces the darkest and most German sound of ESM's materials. This is the way to go if you are looking to warm up your sound.

The Tenor Classic has a chamber designed for classical playing. It has no baffle and the tip openings tend to be on the smaller side.

The black acrylic material produces the darkest and most German sound of ESM's materials. This is the way to go if you are looking to warm up your sound.

The Alto Classic has a chamber designed for classical playing. It has no baffle and the tip openings tend to be on the smaller side.

The black acrylic material produces the darkest and most German sound of ESM's materials. This is the way to go if you are looking to warm up your sound.

The Alto Classic has a chamber designed for classical playing. It has no baffle and the tip openings tend to be on the smaller side.

The blue Heaven material is a specialized acrylic compound with metal particles embedded in the material. In combination with the metal ring, the Heaven material provides very easy response, more control, and a slightly brighter sound.

The Alto Jazz has a chamber specifically designed for Jazz. It has a baffle.

The black acrylic material produces the darkest and most German sound of ESM's materials. This is the way to go if you are looking to warm up your sound.

The Alto Jazz has a chamber specifically designed for Jazz. It has a baffle.

The blue Heaven material is a specialized acrylic compound with metal particles embedded in the material. In combination with the metal ring, the Heaven material provides very easy response, more control, and a slightly brighter sound.

The JP7 is a versatile mouthpiece with medium to large tip opening.  It is popular with both Symphonic and Jazz players and pairs well with lighter reeds. It's tip opening is 1.18mm and the facing is 16.5mm long.

The blue Heaven material is a specialized acrylic compound with metal particles embedded in the material. In combination with the metal ring, the Heaven material provides very easy response, more control, and a slightly brighter sound.

Designed in collaboration with renowned German music journalist and author Claus Raumberger, the RCR line offers a nice variety for experienced players. The RCR3 delivers a strong, dark sound with a rich sound throughout the registers. It's tip opening is 1.19mm and the facing is 17.5mm long.

The black acrylic material produces the darkest and most German sound of ESM's materials. This is the way to go if you are looking to warm up your sound.

The optional metal ring brightens the sound slightly and makes a more immediate connection with the instrument and is a great option for players who are looking for something between the black acrylic without ring and Heaven mouthpieces.

Specifically designed for the US market, the MCK1 is ESM's most popular Soprano clarinet mouthpiece. With its small tip opening of 1.03mm and its 18.0mm facing, it is comfortable for most - from ambitious students looking to upgrade to professionals who prefer a harder reed.

The black acrylic material produces the darkest and most German sound of ESM's materials. This is the way to go if you are looking to warm up your sound.

The optional metal ring brightens the sound slightly and makes a more immediate connection with the instrument and is a great option for players who are looking for something between the black acrylic without ring and Heaven mouthpieces.

Designed in collaboration with renowned German music journalist and author Claus Raumberger, the RCR line offers a nice variety for experienced players. The RCR5 is designed for a brighter, brilliant sound with excellent projection. It's tip opening is 1.20mm and the facing is 17.0mm long.

The black acrylic material produces the darkest and most German sound of ESM's materials. This is the way to go if you are looking to warm up your sound.

The optional metal ring brightens the sound slightly and makes a more immediate connection with the instrument and is a great option for players who are looking for something between the black acrylic without ring and Heaven mouthpieces.